SMOKE AND DOOM

“SMOKE AND DOOM” is a richly atmospheric noir-gothic narrative poem that blends occult romance, dive-bar Americana, and supernatural suspense into a cinematic tale of betrayal and reckoning. The tone is smoky, seductive, and increasingly ominous, while the voice carries the swaggering cadence of a late-night folk ballad told by someone half-drunk and fully haunted. One of the poem’s greatest strengths is its immersive world-building: neon-lit bars, whiskey-soaked card tables, and spectral witchcraft merge seamlessly into a coherent emotional and visual landscape. The poem excels at momentum and escalation, moving from grounded details of gambling and masculine bravado into something mythic and uncanny without losing narrative clarity. Its imagery is especially vivid, creating a palpable supernatural tension that transforms a barroom into a ritual space. The recurring archetypes deepen the poem’s thematic obsession with temptation, jealousy, and fatal attraction. Written for the “A Shattered Cup of Doom” novella, this poem appears in the “Third Shards of Broken Glass” chapbook.

“SMOKE AND DOOM”

with taillights red, a witch ascends
and disappears around the bend
and out beyond his line of sight
she hooked a left when home was right

she soars off to master midnight
some old wolf who wears her bat bite
and wishes on this shooting star
and lives on main atop a bar

and downstairs where the neon burns
where whiskey rules and tables turn
and cut-throat spades and smoke and doom
a golden blonde entered the room

just playing cards and scarred and jinxed
while waiting on his midnight minx
and he was falling far behind
drew a two, bid seven blind

replete with beer and losing hands
and broken dreams and one night stands
he ate the minus seventy
and then the blonde pulled up a seat

and no one seemed to take it strange
how suddenly his luck had changed
she bucked up next to where he sat
and rubbed against him like a cat

and like new money on skid row
another round for all his bro’s
joking laughing bold and young
stuck in that old seattle grunge

no one heard them steps a-comin’
through the thudding and the strumming
but who could ever trust the moon
when sometimes midnight strikes too soon

unseen but all could smell the sin
like black smoke she just drifted in
and hovered there til she took form
and drew the wolf across the floor

the world stopped spinning, time had ceased
the witch drew all the air to breathe
a whisper from some black beyond
asked master midnight

who’s the blonde

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

LIPSMACK

“LIPSMACK” is a compact neo-gothic character sketch that blends noir romance, modern decay, and fairy-tale distortion into a sharply stylized portrait of seduction and self-destruction. The tone is cynical, alluring, and darkly playful, while the voice carries the cadence of a modern folk ballad crossed with spoken-word incantation. One of the poem’s strongest qualities is its dense concentration of imagery, creating a vivid world where glamour and degradation exist side by side. The poem excels at mythologizing ordinary contemporary details, transforming cigarettes, bottled water, mirrors, and makeup into symbols of ritual, vanity, and emotional ruin. Structurally, the rhyming couplets give the piece a quick, chant-like momentum that reinforces its fairy-tale-meets-back-alley atmosphere. Written for the “A Shattered Cup of Doom” novella, this poem appears in the “Second Shards of Broken Glass” chapbook.

“LIPSMACK”

a wish upon a fallen star
cost everything you have so far
and all you take and all you spend
gets all accounted in the end

a midnight pumpkin princess car
a bat trapped in a pickle jar
across the lane a street light glares
a flash of lightning in her hair

her candle is a newport light
and bottled-water is her wine
the altar of her sex and lies
the church of many men’s demise

mirror mirror on the visor
who’s the fool, who is the wiser
lipstick lipsmack war paint red
poof the hair, puff up the head

who’s the blonde

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

PULSAR

“PULSAR” is a surreal romantic-gothic narrative poem that combines heartbreak, mysticism, and modern Americana into a haunting meditation on desire, deception, and intuition. The tone shifts between dreamy infatuation and creeping dread, while the voice remains intensely cinematic and emotionally charged, moving through the scene like a slow-burning fever dream. One of the poem’s greatest strengths is its vivid fusion of mundane detail and occult symbolism. This blending of grounded specificity with supernatural atmosphere gives the poem a distinctive identity and strong visual texture. The language is musically dense, full of internal rhyme and rhythmic momentum, which enhances the hypnotic quality of the narration. Written for the “A Shattered Cup of Doom” novella, this poem appears in the “First Shards of Broken Glass” chapbook.

“PULSAR”

love is a fever, love is blind
and they say that time will tell
can a match be made in heaven
with a girl who is raising hell

hand in hand and winter’s landing
staircase to a household door
the lantern lamplight far too dim
for him to ever see for sure

her words invoke numb placation
a lie so cold so bold so bright
she laid her hand upon his heart
and then she kissed the man goodnight

patchouli haze, and dazed, he prays
that she is not yet going home
but her low-top doctor martens
romper stomp through the driven snow

nissan pulsar witchcraft death star
a broomstick parked out on the street
and there, alone, a queen enthroned,
who sits there in the driver’s seat

mirror mirror on the windshield
ultra blue white lady hoodoo
her lips of red hold lies unsaid
like tombstones shaded from the moon

fit of twisted intuition
shivering a silver chill and
then behold, a crystal vision
from somewhere else, beyond her will

ancient eyes with swiss precision
ahead in time while time stood still
she saw clear to her derision
a golden goddess seated
on a throne
upon a hill

who’s the blonde

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

APRIL DAWN

“APRIL DAWN” is a lyrical free verse poem centered on renewal, intimacy, and emotional rebirth, carrying the tone of a quiet devotional or love lyric. This piece feels tender, hopeful, and restorative, with a gentle voice that speaks through reverence rather than anguish. The poem’s greatest strength is its musical softness, with repetition creating a soothing refrain that frames the speaker’s awakening as both emotional and spiritual. Seasonal imagery functions effectively as metaphor. The language is restrained and uncluttered, allowing warmth and sincerity to emerge naturally. Particularly compelling is the poem’s ability to suggest transformation without dramatizing it; the awakening feels gradual, earned, and deeply human. Written for the “A Shattered Cup of Doom” novella, this poem appears in the “First Shards of Broken Glass” chapbook.

“APRIL DAWN”

smile, she says,
and so this awakens
so bright, so warm,
she rises softly,
a prayer aloft for the heavens beyond
this april dawn,
she calls for me
to come along,
and spite the weathered wear
of our wintry miles.
smile, she says,
smile and we are there
and so this awakens

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

MISGIVEN

“Misgiven” is classified generally as Dark Gothic and Romance poetry, a mythic love curse and gothic duet. Two damned figures are locked in a sulfurous circle. The strength is the compression, how for example, “one misgiven kiss” dooms them both. The imagery is fierce, original, and unapologetically baroque. The poem suggests a mythic dimension to a particular woman’s relationships that transcends naturalism. As a newly written poem for the “A Shattered Cup of Doom” novella, it has not yet been assigned to a chapbook.

“MISGIVEN”

a warhorse storm
of hades, she,
and i, condemned
to her by fate
she drifted in
to shoot the moon
and feed on souls
of low estate

a nightmare on
her blinds, i was
and she, condemned
to me, the same
i, the rage of
brimstone blazing,
who grabbed the midnight
by the mane

a night mare gallop
reigns in hell
our sulfur circle
wishing well
the curse of
one misgiven kiss
and all roads lead
us both to this

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

TEARDROPS TWO

“TEARDROPS TWO” is best categorized as a lyrical contemporary poem blending romantic elegy, dream pop surrealism, and refrain-based confessional verse with strong musical and song-like qualities. Its language is simple yet emotionally charged, creating an atmosphere that feels intimate, wistful, and electrically surreal at once. The alternating dedications establish a mirrored structure that reinforces themes of reciprocity, separation, identity, and emotional exchange. The repetition functions musically rather than redundantly, producing a soft rhythmic pulse that resembles a melancholic ballad or synth-pop lyric. As a newly written poem for the “A Shattered Cup of Doom” novella, it has not yet been assigned to a chapbook.

“TEARDROPS TWO”

teardrops, two,
electric blue
one is for me,
reborn and renewed
the one you inspired
to rise from the gloom
this one is for me,
and the other for you

teardrops, two,
electric blue
one is for you,
the supercharge queen
the one with too many
to choose, in between
this one is for you,
and the other for me

teardrops, two,
in a bottle on the sand
once upon a time
i held the lightning in my hand

teardrops, two,
electric blue
one is for me,
the one tried and true
the one who constructed
a folklore undue
this one is for me,
and the other for you

teardrops, two,
electric blue
one is for you,
the one i set free
the one with those eyes,
yet too blind to see
this one is for you,
and the other for me

teardrops, two
in a bottle on the bay
once upon a tide
i watch the lightning drift away

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

BLUE VIOLETS BLOOM

“Blue Violets Bloom” is a mysterious text assembled in 2025 as a snapshot in the “A Shattered Cup of Doom” novella. Very Gothic in tone, there exists within its layering an image of budding romance, an origin story of fate unfolding on a not-so-ironic foundation of doom. “Blue Violets Bloom” appears as part of the “First Shards of Broken Glass” chapbook collection.

“BLUE VIOLETS BLOOM”

in the throes of torment,
of blood and toil and of strife,
the wonder that is life breeds death
and the rancid stink of death feeds life.
in a room of darkness
in a world of doom,
knee deep in the dead, they dance
where one day yet blue violets bloom

and nothing there is true,
and yet everything is, somehow, too,
ghouls that languish on, forsaken
too young to die, thy flesh consumed.
in a room of darkness
in a world of doom,
their fate awaits them where, by chance
where one day yet blue violets bloom

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.

FOR ALL TIME

Written in 2026, “For All Time” is, in its beauty and wonder, perhaps the most unsettling poem in the dark and dreary realm of the “A Shattered Cup of Doom” novella. It is the linchpin that holds past, present, and future together as one and it is the burst of dawn following a deeply foreboding night. The warmth, the light, and the life of “For All Time” is both the beginning and the ending of the novella, the alpha and the omega. Though it registers with simplicity as Pastoral and Idyllic in tone, it is a very unique work that covers many poetic genres. In its constitution, “For All Time” is at once, Pastoral / Idyllic, strongly Lyric, certainly Romantic / Love Poetry to the fullest, very deeply Religious and Spiritual, and loosely but assuredly Narrative. It is presented in the “Third Shards of Broken Glass” collection, but also stands alone in dedication to the excellent wife that the LORD GOD blessed me with.

“FOR ALL TIME”

some time after dawn
a glaze of dew yet on the lawn
an old man and his pups
beneath the old catalpa tree
and the woman so fair
her blue eyes and golden hair
a kettle and two cups
she brings to him his morning tea

and god is good and god is kind
the peace of christ is peace of mind
and in her weary eyes he finds
his home, his hearth, his partner
for all time

in the noonday sun
he sees his course is not yet run
he has toiled not enough
to set his soul and spirit free
and the woman so fair
her blue eyes and golden hair
as he rolls up his cuffs
brings lemonade and levity

and god is good and god is kind
and blessed are the vows that bind
for in his weary eyes she finds
her home, her hearth, her partner
for all time

when the chains are loosed
the orpingtons come home to roost
he wipes his brow, shakes the dust,
and ascends above his elegy
and the woman so fair
her blue eyes and golden hair
cuddled up with the mutts
brings the wine of their liturgy

and god is good and god is kind
and here for heartbeats so inclined
for in his ancient eyes they find
their home, their hearth, their partner
for all time

evening descends
and midnight moonlight burns again
for legacy he must
spin fortune from calamity
and the woman so fair
her blue eyes and golden hair
a perfect act of trust
kisses him, turns in, and falls asleep

Copyright © 2026 Robert Myrnyj | All rights reserved.
The poems and literary works presented here are original creations by the author.
Unauthorized copying, reproduction, distribution, modification, or public display of this
content is strictly prohibited without the prior written permission of the copyright owner.